The film Laxmi Bomb a change of South Indian hit ‘Kanchana‘ — is an untidy mixed bag of points, for example, vicious land snatching, acknowledgement of interfaith couples and equivalent rights for transsexual people. Their expectation to make this repulsiveness parody may have been respectable, however, the execution is disgraceful. The parody appears to be lifeless and the ghastliness partitions are loaded up with unsurprising hop alarms. The tunes embedded aimlessly focuses have no specific reason either and make the film a difficult watch. The film is a two-hour festivity of Women Empowerment. The story in the film Laxmi Bomb handles issues like reliance (on man), sex predisposition, sex dealing and viciousness against ladies. Also, notwithstanding the charming vision, the message is fairly muddied as the film goes on. (Lakshmi Manchu) battles her way against profound established associations among wrongdoing and organization, lastly arraigns a perilous criminal Vaikuntam (Prabhakar) after he was discovered dealing ladies. Her solid willed activities cause a back conflict to follow and she is killed by different individuals from Vaikuntam’s group. However, oddly enough Lakshmi keeps on living with her folks (Posani Krishna Murali and Hema) and turns into a phantom at whatever point she satisfies, slaughtering individuals from the pack individually. The main portion of the film is fairly confounding and has various flashbacks and dreary scenes that one can’t sort out what’s going on.
Laxmi Bomb content comes up short on any lucidness with the screenplay. What’s more, one is left figuring how Lakshmi’s folks keep on living with Lakshmi notwithstanding them incinerating her toward the start of the primary half. The subsequent half starts with Lakshmi’s folks understanding that Lakshmi’s body has been involved by the phantom of her twin sister Priya who had passed on during birth. Furthermore, what follows is a significant flashback of Lakshmi’s life directly from her introduction to the world. Priya’s apparition goes with Lakshmi any place she goes and not long before Lakshmi gets incinerated, Priya involves Lakshmi’s body and wake up. This reason Lakshmi’s folks to feel that she’s returned to life, and is a significant deviation from how the primary half’s content played out. The remainder of the film is the means by which Priya’s soul kills the whole pack including Vaikuntam.
Laxmi Bomb, Laxmi is uproarious, pompous and over the top – simply the sort of film that is expected to shake Bollywood out of its trance post the pandemic presumably. In the event that you appreciate careless performers that offer empty talk to a social reason and trust Khiladi Kumar can make no off-base precede onward the big screen really at that time go for Laxmi. In the era when films should necessarily talk about social injustices and inequalities, making a film which is purely based on illogical twists seems a little off.